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American Classics

Edgar Allen Poe is a true American classic. I suspect that Poe is the second most recognized 19th Century American author (behind perennial favorite Mark Twain). Most everyone has heard of Poe through his well-known works like “The Raven”, “The Pit and the Pendulum”, “The Masque of the Red Death”, and that grade-school reader staple, “The Tell-tale Heart”. Some folks may have read one book by Herman Melville or Louisa May Alcott, and only college-level literature students have read anything by Emerson, Longfellow, or Thoreau, but most of us are familiar with Poe’s work and his influence on mystery and the macabre. I suppose it’s sad that he’s better known than his contemporaries (critically speaking Poe’s works pale in comparison to Emerson, Longfellow and Thoreau), but his visceral take on humanity made a huge impact on popular culture. You can trace so many mystery-thrillers directly back to Poe. It’s hard to imagine Hitchcock or Stephen King or even CSI would be here today without his influence.

But a visit to Poe’s old homestead in Philadelphia evokes a different sort of American classic.

The Window © 2009 America In ContextPhiladelphia wasn’t the only city Edgar Allan Poe called “home”.  Never a wealthy man, Poe and his family led a fairly hardscrabble life. They travelled a lot, always trying to find a new opportunity in another city. Consequently, they lived in many places, from Boston to Richmond to New York. The only Poe home that has been preserved is an old, faltering row house north of Independence Park, on the bad side of I-676. Yes, that’s right: the former home of Edgar Allan Poe, one of the premier poets and authors of his time, is a shitty house in a shitty part of town. And I find that terrific.

I visited Poe NHS on a crappy, drizzly day. I spent the prior gorgeous, sunny day strolling Independence NHS, the well-manicured core of touristy Philadelphia, with its horse-drawn carriages and Ben Franklin impersonators. But the day I visited Poe’s House was sodden and sopping. Rain doesn’t bother me, I threw on a raincoat and headed out. Of course, I didn’t realize I’d be walking about a mile into the slums of Philadelphia. Honestly, that part of town isn’t that bad, but I clearly stood out like a sore thumb. I have to admit I was pretty nervous, but I didn’t run into any trouble. In hindsight, I think it was a very appropriate walk. Too many of us, myself included, stick to the “good” parts of America, and daren’t venture into the rougher sections. A brilliant thing about my National Park Site collection is you see virtually all of America, including some slums. You get a pretty complete picture that way, in my opinion.

The Cupboard © 2009 America In ContextBy the time I got to the Poe house I was pretty soaked. I entered and took off my coat, leaving puddles in my wake. A retired couple were there, their Lincoln parked in the lot, water beaded from a fresh waxing. We were just in time for a tour. Our guide (a really sharp and well-versed lady, a credit to the NPS) took us through the outwardly rickety building, and told us of Poe. A troubled man, a restless man, a man who struggled with success (both commercial and in life). A man who always tried to find his way, a man who seemingly lost his mind and eventually died a very mysterious death, yet a man who left us with some of the most beloved works in American literary history.

Poe’s story was intriguing, but what I found more intriguing was the relationship the Poe site and the NPS has with the local residents. Obviously that part of Philadelphia has a typical, urban, African-American population: undereducated, underemployed, living their own hardscrabble lives built on single-parent households, gang warfare, drug abuse, and a collage of government entities that don’t give a crap about them. But the folks at Poe NHS have worked really hard to get in touch with the community. They are constantly hosting children from local schools for tours and storytelling and events, and that ranger clearly loved to do it. There was no pretension or hypocrisy in her voice when she told those stories, even when she was talking to three Whiteys from the ‘Burbs. Her love of her job and the locals was pretty evident, and appreciated. She also pointed out the brilliant mural of Poe on a nearby building, and the fact that it has never been defaced by graffiti in all the years it’s existed. That is a telling factoid and really shows that either Poe’s works unites us on a fundamental level, or that if you respect people, they will respect you back.

The Raven © 2009 America In Context

Poe NHS doesn’t just tell the story of a famous American author, it tells the story of a rough life, a life led by many millions of Americans before and many more millions who came after. Rough living in a rough house in a rough neighborhood, a life lived by more of us than we care to think about. I doubt my tour companions really got the point of Poe NHS. The retired gentleman, who was supposedly making a coffee table book about “homes of great Americans”, clearly missed it when he said “I doubt this house will make my book.” We all didn’t grow up in marble mansions, doofus.

If you want to experience America, you need to experience all of it, including tilting houses in seedy neighborhoods. That is an idea worthy of a coffee table book.

The Mural

[Pics on this post are mine and copyrighted thusly, except for the mural. I didn’t get a good picture of it (crappy photog that I am), so I had to pirate one.]

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Links:

Edgar Allan Poe National Historic Site

Poe Museum (Richmond, Virginia)

Tabula Rasa’s History of Horror

Google map to Poe NHS

G, A, F, (octave lower) F, C? B flat, C, A flat, (octave lower) A flat, E flat!!

In 1977, I was twelve years old, smack-dab right in the middle of the target audience for a blockbuster movie. A movie about two people whose mundane lives are interrupted by visitations from extraterrestrial beings and the government conspiracy to cover it up. Close Encounters of the Third Kind was a huge experience for me back then. Mega-huge!!! I was all over those ads with the bright light at the end of the deserted highway. “Close encounters of the first kind: visual sighting. Close encounters of the second kind: physical evidence. Close encounters of the third kind: CONTACT!”.

Close Encounters Poster © 1977 Columbia Pictures

Oof, cue the chills down the spine! The posters, the collectible cards, all that sweet, sweet geeky goodness. Ambrosia! It’s almost as if Steven Spielberg woke up one morning and said “Hmmm, I think I’ll write a movie that’ll appeal to that scrawny kid with the Coke-bottle glasses from Western Massachusetts.”  I was all over that film like stink on roadkill. A couple of years later, we were one of the first houses in town to get cable TV, and my dad bought all the pay channels. I watched Close Encounters 18 times in one month, and was damned proud of myself for it!

You can be damned sure that visiting Devils Tower (no apostrophe, contrary to popular belief) was high on my list of must-see sites in the National Park Service. And when I rounded that corner of State Highway 14 and saw that great monolith sticking out of the low eastern Wyoming hills, I was as giddy as a 12-year-old boy in a movie line the night of the big premier (after months of soaking in shameless & targetted Hollywood promotion). I’m actually glad I was alone, I could just revel in the giddiness without apologizing to anyone. Yes, ladies and gentlemen, it was a pure geek fantasy come to life, and I was enjoying every rapturous moment of it!!

Tower and Clouds © 2009 America In Context

Devils Tower is truly a wonder to behold, even if you’re not into movies. It’s an enourmous volcanic extrusion that not only towers above the surrounding countryside but seems so alien to that landscape. It looks like it doesn’t belong, it’s like those Sesame Street clips: “one of these things is not like the other ones…” It’s almost as if those extraterrestrials placed it here millions of years ago as a signpost: “Gateway to the Stars — Free Anal Probes to the First 10,000 customers.”

A Shadow Passes © 2009 America In ContextIt’s easy to see how mankind has marvelled at it since the Bering Land Bridge first allowed humans to cross into North America. It’s held special significance to Native Americans for hundreds of years. The Cheyenne, the Arapaho, the Lakota Sioux, the Eastern Shoshone, and many other plains tribes revered the spot, and gave it names such as “Bear’s Lodge”, “Tree Rock”, and “Mythic Owl Mountain”. To this day, their descendants return to Bear Lodge for ceremonies and to tie prayer offerings to the trees.

Later, when European settlers and their descendents crisscrossed the west looking for furs, or gold, or a path to the Pacific, they gave it the dramatic name “Devils Tower”, and eventually the greatest environmental president, Teddy Roosevelt, signed the law protecting it as America’s first National Monument. How could you not?? To this day, I have yet to see a natural wonder of such singular, unique stature in the United States.

rock-scrambleNowadays, people think of Devils Tower and think of Spielberg’s film, and I guess that’s OK too. A nation’s culture is defined by its arts, and in America’s case, our arts is really defined by our films. So I’m cool with the fact that this great wonder of nature has been immortalized by a blockbuster movie and not by the simple fact that it’s so fascinating.

Of course, some people can’t separate film from reality: when I came back to tell folks of my visit, a lot of people asked “did you see any aliens when you were there?” Um, well, no, that was a movie. But I did dream up a sequel to Close Encounters called Close Encounters: The Return, wherein the extraterrestrials come back to Earth and return Richard Dreyfuss. “Please, take him back. His liberal politics and sappy, pedantic movies are ruining our culture!”

I don’t see that appealing to any 12-year-old kids.

Departure © 2009 America In Context

[All photos, except the Close Encouters poster, are mine and thusly copyrighted. Please do not use without my permission. More of my Devils Tower pics are here.]

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Links:

Devils Tower National Monument

Close Encounters of the Third Kind on IMDB

Lakota Archives: Bear Mountain

Google map to Devils Tower

I meant to post this immediately after my Denali posts, but forgot. Life kinda gets in the way of blogging, ya know? Anyway, Grizzly Man is a film, by noted director Werner Herzog, about Timothy Treadwell, a surfer-turned-actor-turned-grizzly activist who decided to spend several summers living amongst bears in Alaska, to “bring awareness to their plight”.

Grizzly Man

This recommendation dovetails not only into Denali, but also into my Chiricahua post. That post was about man’s stupidity (specifically my own stupidity) in the face of nature. That post and this film tell a valuable story: nature is not to be trifled with. It doesn’t care who you are, or what you do, or how “in tune” you think you are with it: when nature needs you to be food, you will become food, regardless of how high-minded you think you are or how many trees you hug.

So here’s the spoiler: Treadwell eventually gets eaten. Well, it’s not that big of a spoiler really, it’s pretty much said right up front this story is a tragedy. What makes this film so compelling is you see what’s coming, the ending is so patently obvious, yet Treadwell plods right along to that ending, making bad decision after bad decision, all leading up to a certain, gruesome fate. I won’t spoil it any more, it does have to be seen to be believed.

Some watch Grizzly Man and feel sadness for a poor, kindhearted soul who only wanted to do the best for the poor bears and paid the ultimate price. I see this as the story of an egotistical idiot who, like Steve Irwin, though nature was his playground, mealticket, and the means to inflate his own arrogant self-worth. In his case, like Irwin’s, nature turned its mighty claw and gave him a swipe.

Just to remind him, and us, who’s boss, I suppose.

A Spot of Preservation, Please

Devil’s Postpile is a tiny little National Park System spot, especially when compared to nearby juggernauts like Yosemite, Sequoia, Kings Canyon, and Death Valley National Parks. It only covers about 800 acres, even Valley Forge NHS is bigger than that. It’s just there to save a singular geologic feature: a volcanic extrusion cooled in hexagonal basalt columns. Yeah, not too exciting, but hey, it’s not something you see every day. It’s just a tiny little spot of interest, preserved.

Postpile © 2009America In Context

Which sort of brings up a point. How big of a deal is it for someone to look at something and say “hey, that’s pretty neat, we should save that.” Well, apparently, it’s a pretty big deal. Postpile took a bit of effort to save. Long hidden in the high-altitude mazework of the eastern Sierra Nevada, people didn’t even know it existed until the late 1800s. Of course, it wasn’t too long until water interests showed up wanting to blow these extruded columns straight to hell to build their dams. As usual, the happy ending here was a group of concerned citizens & environmental groups raising awareness leading to the salvation of this unique pile of rocks.

San Joaquin River © 2009 America In ContextYeah, I know, here we go again. Those naïve environmental whackos, sacrificing the public good and economic growth for worthless blind cave fish or piles of grey rocks. Why should we preserve all these unimportant things when people can’t put food on the table or get a drop to drink? Fair questions, I suppose. Fair questions, that is, until you realize that so many times this destruction is either for naught, or is ill-placed, or the fruits of that destruction is itself wasted, or, even worse, it’s realized after the fact that all this destruction has doomed us all.

Looking specifically at the economic collapse we find ourselves in, which seemingly marks the end of our nation’s economic prosperity, I have to ask myself: was it really worth destroying portions of our nation’s environment for “economic expansion”, when our own greed-driven stupidity has halted that very economic expansion and set us all down the road to ruin? Our wealth has evaporated, our jobs have moved overseas, our education and health care systems have collapsed, and all we have to show for it is a scarred landscape. There are parts of Texas that are forever ruined thanks to sloppy oil drilling. There are parts of West Virginia forever despoiled thanks to mountaintop removal mining. Long Island Sound will likely never recover from the damage caused first by New England mill towns and later from over-fertilized suburban lawns.

Rainbow Falls © 2009 America In ContextI know there’s a delicate balance between environmental preservation and economic expansion. I know NIMBY-ism prevents good projects, like robust electrical grids, light rail, and hydroelectric & geothermal power (two truly renewable energy sources), from getting completed. And there have been some very helpful projects like Hoover Dam and the TVA that have been done and resulted in vast improvements in the quality of life for millions. But what bothers me is the environmental damage we have wrought for absolutely no reason other than building over-large, unsustainable houses no one can afford to live, and mega-mall shopping complexes where no one can afford to shop. We’ve ruined our landscape and have nothing to show for it but a nation in economic collapse.

I’m just suggesting that anytime zoning boards or developers or the Dept. of the Interior or Congress considers destroying a chunk of our natural world for some special project, they need to seriously consider “is it worth it over the long term,” or is it simply some get-rich-quick scheme for some special interest group that won’t provide a lick of true economic growth for the nation. I suspect that as long as these groups can be easily bought off or deluded, we’ll never make those intelligent decisions.

Fallen Columns © 2009 America In Context

At least we have places like Devil’s Postpile and other national, state, and municipal parklands. Well, for now that is, until some shyster convinces us that paving them over will lead to “economic prosperity”.

[Pics on this post are mine and copyrighted thusly. See my other Postpile pics here.]

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Eagle © 2009 America In ContextLinks:

Devil’s Postpile National Monument

Environmental Valuation Blog

CIA World Factbook: Environment (yeah, I know it’s not directly related to the content of this blog post, but I stumbled across it and found it neat)

Google map to Devil’s Postpile